Best Editing (Otec)

OTEC (The Father) draws a great deal of its power from the impressive editing by Pavol Palarik, who connects the real images of the present with the symbolic images of memory with a sound narrative rhythm. The montage decisively contributes to the dense atmosphere and effectiveness of the film. The film has been created a second time again through the editing, and profits from excellent camerawork and sure-footed production as well.

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